{"id":2421,"date":"2026-07-14T11:51:59","date_gmt":"2026-07-14T09:51:59","guid":{"rendered":"https:\/\/hdfd.hr\/?p=2421"},"modified":"2026-07-14T12:09:23","modified_gmt":"2026-07-14T10:09:23","slug":"ivan-ramljak-dobitnik-je-17-nagrade-vedran-samanovic","status":"publish","type":"post","link":"https:\/\/hdfd.hr\/en\/2026\/07\/14\/ivan-ramljak-dobitnik-je-17-nagrade-vedran-samanovic\/","title":{"rendered":"Ivan Ramljak dobitnik je 17. Nagrade “Vedran \u0160amanovi\u0107”"},"content":{"rendered":"

Utemeljena u po\u010dast filmskom snimatelju i autoru Vedranu \u0160amanovi\u0107u te prvi put dodijeljena na Pulskom filmskom festivalu 2010., godi\u0161nja nagrada \u201eVedran \u0160amanovi\u0107\u201c i ove se godine dodjeljuje \u201efilmskom umjetniku koji je u bilo kojoj grani filmske umjetnosti, u kratkom ili dugom metru, inovativnim pristupom pro\u0161irio granice filmskog izraza u hrvatskom filmu\u201c. Nagradu je osnovalo pet filmskih udruga: Hrvatsko dru\u0161tvo filmskih djelatnika, Hrvatska udruga filmskih snimatelja, Dru\u0161tvo hrvatskih filmskih redatelja,
Hrvatsko dru\u0161tvo filmskih kriti\u010dara i Hrvatski filmski savez. Odlukom tro\u010dlanog \u017eirija (Janko Heidl, Mate Ugrin, Filip Zadro), sedamnaesta nagrada \u201eVedran \u0160amanovi\u0107\u201c dodjeljuje se Ivanu Ramljaku, autoru kratkog dokumentarno-eksperimentalnog filma Pozdrav iz Sekretarijata, ostvarenom u produkciji Kreativnog sindikata. <\/p>\n\n\n\n

Obrazlo\u017eenje<\/strong>
Od svog diplomskog dokumentarnog filma, cjelove\u010dernjeg O jednoj mladosti iz 2020., Ivan Ramljak u hrvatskoj se kinematografiji profilirao kao, recimo to tako, prvak djela slikovno izra\u0111enih od arhivske gra\u0111e. Tim je filmom, sastavljenim od crno-bijelih fotografija, posegnuo u bolnu pri\u010du iz osobne pro\u0161losti. Sljede\u0107im, na isti na\u010din oblikovanim El Shattom \u2013 nacrtom za utopiju (2023), zahvatio je daleku, zatomljenu dionicu kolektivne povijesti. Rabe\u0107i arhivu pokretnih slika u boji, pro\u0161logodi\u0161njim je Mirotvorcem zasjekao u neuralgi\u010dnu to\u010dku potisnute epizode s po\u010detka Domovinskog rata. Izrazu postrani\u010dnog promatra\u010da stati\u010dnog pogleda Ramljak se priklonio i prije toga. U kratkim dokumentarnim i igranim filmovima eksperimentalnog nagnu\u0107a, u kojima je kamera njegovih snimatelja dugo i pomno, gotovo fotografski, fiksirala nepomi\u010dne objekte ispred sebe.
U spomenutim cjelove\u010dernjim filmovima, pra\u0107enima dokumentarnom izvanprizornom naracijom, taj je pristup razradio u sna\u017ean i \u0161iroko komunikativan izraz. Premda postavljena zahtjevnije od uobi\u010dajenog, ta su ostvarenja te\u010dno pripovijedala dramati\u010dne kronologije sudbina, onih manje vidljivih i onih nemale dru\u0161tvene va\u017enosti. Zdru\u017eena s govorom, slika, pokretna ili nepokretna, iznosila je zanimljivu, uzbudljivu i prepoznatljivu pri\u010du. U svom najnovijem radu, kratkom dokumentarno-eksperimentalnom Pozdravu iz Sekretarijata, Ramljak je postupak ogolio na minimalno. Bez ikakva verbalnog komentara ni\u017eu\u0107i odba\u010dene, desetlje\u0107ima stare, prete\u017eno crno-bijele policijske fotografije s o\u010devida zlo\u010dina i nesre\u0107a, gledatelja navodi da o\u010dekuje pripovijest koju ne\u0107e dobiti i poja\u0161njenja koja \u0107e mu biti uskra\u0107ena. Neko\u0107 \u010dvrsti evidencijski dokazi ostaju istiniti, no sad, posvojeni i prenamijenjeni u izmje\u0161tene artefakte, u svoju malne suprotnost, u zagonetku, ne razja\u0161njavaju gotovo ni\u0161ta. Dokument ne potvr\u0111uje, nego o\u010du\u0111uje. Promi\u0161ljena inverzija klasi\u010dne povijesne kronike, <\/p>\n\n\n\n

Pozdrav iz Sekretarijata \u0161utljiv je, a rje\u010dit dijalog izme\u0111u hladnog oka dr\u017eavnog slu\u017ebenika i ma\u0161te gledatelja, postavljenog u polo\u017eaj istra\u017eiva\u010da i detektiva kojemu je nemogu\u0107e dose\u0107i cilj. Izniman esej o zaboravu i tragovima ljudskih nesre\u0107a u maloj zajednici. Zbilja je tvrdo prisutna, ali posve neobja\u0161njiva. Ovom nagradom prepoznajemo i Ramljakovo etabliranje foto-filma kao forme koja je
njegovim djelovanjem postala uva\u017eenim punopravnim dionikom hrvatske kinematografije.<\/p>\n\n\n\n

\n
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Izvor: Pula film festival<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Izvor: Pula film festival<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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Izvor: Pula film festival<\/figcaption><\/figure>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Utemeljena u po\u010dast filmskom snimatelju i autoru Vedranu \u0160amanovi\u0107u te prvi put dodijeljena na Pulskom filmskom festivalu 2010., godi\u0161nja nagrada \u201eVedran \u0160amanovi\u0107\u201c i ove se godine [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":2422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8],"tags":[45,43,19,16,42,22],"class_list":["post-2421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-naslovna","category-vijesti","tag-arena","tag-filmsko-stvaralastvo","tag-hdfd","tag-hrvatski-film","tag-pula","tag-pulski-filmski-festival"],"yoast_head":"\nIvan Ramljak dobitnik je 17. 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